Dating stained glass is not a simple task. The techniques, colours, designs, window tracery, ferramenta, content, symbolism, intended purpose, commission and position need to be examined. This post is to give an introduction to some of the considerations. Between the...
Figure 1: Looking east from the land below Athelney towards Burrow Mump on a misty morning. Whilst the land is reclaimed and cultivated nowadays, it was a patchwork of marshes, reeds and flood water. Low islands stood above the wetlands, only accessible by punts and...
Figure 1: Low-lying mist looking across the Somerset Levels from Aller Church at dawn In this post and the next one I want to concentrate on an area in the Somerset Levels that was a key turning point in the history of Wessex and England. This first post is to provide...
Figure 1: Belfry Windows with Anglo-Saxon Baluster Shafts at All Saints, Earls Barton, Northamptonshire When looking at Anglo-Saxon churches there are 4 features to look out for: Belfry Windows Triangular-headed doorways or windows Strip-work on wall surfaces...
Whilst idly wandering around the wonderful Frome Independent Market on a sunny Sunday afternoon, I found myself drawn into St. John The Baptist Church for a brief escape from the hustle and bustle. In the church I came across what appeared to be 2 random Saxon stones...
